This is the artist’s first exhibition in his hometown. It will present older works oscillating around the Suprematism of Kazimir Malevich as well as his latest paintings, in which he conducts a dialogue with classical iconography in a neoplastic approach. The title of the exhibition refers to a quite common iconographic motif, the pipe. It (…)
The exhibition title reveals the tension between neutrality and dependence, choice and its conditions. “Throw” suggests a gesture – a moment of decision, which can be both a look from a distance, an attempt to capture the whole, and an unpredictable act – like throwing a grenade, whose field of impact is a random blind (…)
The exhibition includes both the artist’s latest works and series previously shown in other spaces. This time, however, the presentation reveals the versatility of her work, developed over the years in a solid, mature and unique language.
The idea of the exhibition refers to the concept of archiving as an important element of contemporary artistic practice, expressed in various and multi-threaded ways. The exhibition covers a wide range of forms and genres of art, such as photographs, objects, books, site-specific projects, painting, drawing, and interactive activities.
Paul SOCHACKI was born in 1956, in Mechelen-aan-de-Maas, Belgium. In 1978-82 he studied photography and graphic design at the Stedelijk Hoger Instituut voor Visuele Communicatie en Vormgeving in Genk. From 1984 to 2018 he taught the analysis and study of image elements at the Luca School of Arts in Genk. The exhibition presents a wide (…)
Małgorzata Pawlak and Mikołaj Kowalski are a life-art duo from Lublin. They both graduated in painting from the Faculty of Arts of the Maria Curie-Skłodowska University. In their creative activities, they undertake various formal experiments. They use many different mediums of artistic expression, yet for each of them, painting is still the basic way of (…)
For Piotr, the painting is a field for experimentation, in which he is very consistent, or perhaps (in)consistent, because he does it in many surprising ways. Following his Dadaist imagination, he transcends traditional rules of image creation, while manifesting constant attachment to the source: painting, from which he began his artistic path. His images are (…)
