Nearly 30 years of Tarasewicz’s artistic practice coincides with changes in the functioning of the gallery. The exhibition opens a new chapter in Biała’s history, which is also connected with a considerable enlargement of the exhibition space.
The title of the exhibition is a paraphrase of the title of a famous novel by Milan Kundera The Unbearable Lightness of Being written in the mid-80s, when the Biała Gallery in Lublin was opened.
The word white have reappeared in the titles of our exhibitions. White Decade, White – Art without Walls, Nova White, White Class, White Combinations, White over White – these are only a few moments from the long history of the gallery. The need to find the right key word was more than unbearable.
It is the last exhibition before the gallery returns to the newly renovated building at 12 Peowiaków Street. It is a symbolic farewell with a place that has been the seat of the gallery since 2009. During this time, our cosy rooms have hosted a couple of dozens of exhibitions created by various artists from Lublin and other Polish and foreign cities. The Art Yard has helped us to extend the gallery outside of the building. The exhibition presents works by Anna Nawrot and Jan Gryka, who were supported by Piotr Wysocki and Piotr Pękala, members of the gallery’s team.
Within the continuation of the ende neu project, we would like to invite you to Monika Zawadzki’s exhibition entitled Two Common Rooms in Biała Gallery in Lublin. The title is a direct reference to the architecture of the exhibition space which has been divided into two neighbouring rooms. For the purpose of the exposition, the (…)
We have the pleasure of inviting you to witness the unveiling of a new exhibition by Maciej Sieńczyk entitled “On a Desert Island”, which will be presented at the Biała Gallery as part of the ende neu series. Both the title and the stories we will see at the exhibition come from the artist’s latest (…)
For many years Paweł Nowak has been creating wax paintings, objects and installations, organic constructions to watch, smell and touch. He worked like a bee to sprinkle wax over wrinkled fractal maps. He skillfully used light to make us associate shining, vibrating surfaces smelling of wax with some kind of mysticism, religiousness in a broad meaning of this word.
Temptations, Marvels and Delights In his book “The Map and the Territory”, Michael Houellebecq, paints a picture with his words: on canvas Bill Gates meets Steve Jobs for an afternoon game of chess. Both of them became visionaries of the new era by taking up innovative enterprises and initiatives. For Houellebecq this scene is an (…)
