Time and loop Many modern events have their beginnings in the periphery, where the past still makes itself felt in various ways. As Dipesh Chakrabarty has stated, the worlds of the past are not completely lost, and the past, present and future form the knots of time that we inhabit. I am inviting the audience (…)
Piotr Józefowicz has been creating paintings of the “never-ending” cycle under the above-mentioned title since 1985. It is a very consistent record of the changing time and a registration of the situations that surround us in a dynamic reality. The 37-year-long project is a kind of extensive painterly narrative, containing various threads and motifs, that (…)
“In Poland, I see a lot of art on the streets everywhere,” a German photographer remarked in 1986 – on the occasion of his first visit to Lublin. Not knowing the Polish language, he was referring to the shop signs with inscriptions such as: art. papiernicze, art. spożywcze, art. przemysłowe, which means: stationery, consumer articles, (…)
Mariusz Kruk works with painting, drawing, creates objects and installations. He is also an author of short poetic forms. On the exhibition, he mainly presents assemblages made of fabric, cardboard, wooden strips, scraps of paper, foil, strings, metal, plastic, aluminum, or even musical instruments and other ready-made objects. At the first glance, his works refer (…)
The exhibition covers topics related to ecology, recycling, exchange and return. Its binding motive is the issue of “trash”
Krystyna Piotrowska is a recognized visual artist. She creates works that combine photography, graphic techniques, and painting. She is the author of installations and videos. Piotrowska is known for her works made of human hair. Her art deals mainly with the subjects of identification, memory, passing, history and Jewish identity.
The Tower of Women², just like its prototype from 35 years ago, is going to take place in an open formula, in the multiplicity and variety of expressions of the visual arts language – referring to here and now, to the present understood in personal and universal terms, and expressed by selected female artists in (…)
