Open until: 31.03.2023, opening hours: Tuesday-Saturday 12.00-18.00
Jarosław Perszko mainly creates sculptures, objects and installations that metaphorically refer to the fragility and transience of human existence and the world of nature. In his artistic practice, he experiments with glass, light, metal, stone and delicate materials, creating minimalist forms, saturated with metaphysics. The artist lives in Hajnówka and works at the Faculty of Architecture of the Białystok University of Technology.
Open until: 10.11.2023, opening hours: Tuesday-Saturday 12.00-18.00
The idea of the exhibition is to counteract the silencing and strengthen the voice of fighting Ukraine. The war is a catalyst for many changes in Ukrainian society and public institutions. It poses existential questions and demands quick and honest answers. In this context, presentation of the Ukrainian artists’ statements is of great importance.
Open until: 5.01.2023, opening hours: TUE-SAT 12.00-18.00
Time and loop Many modern events have their beginnings in the periphery, where the past still makes itself felt in various ways. As Dipesh Chakrabarty has stated, the worlds of the past are not completely lost, and the past, present and future form the knots of time that we inhabit. I am inviting the audience (…)
Open until: 4.11.2022, opening hours: TUE-SAT: 12.00-18.00
Piotr Józefowicz has been creating paintings of the “never-ending” cycle under the above-mentioned title since 1985. It is a very consistent record of the changing time and a registration of the situations that surround us in a dynamic reality. The 37-year-long project is a kind of extensive painterly narrative, containing various threads and motifs, that (…)
“In Poland, I see a lot of art on the streets everywhere,” a German photographer remarked in 1986 – on the occasion of his first visit to Lublin. Not knowing the Polish language, he was referring to the shop signs with inscriptions such as: art. papiernicze, art. spożywcze, art. przemysłowe, which means: stationery, consumer articles, (…)
