The title draws attention to the essence of the collage, which arises due to non-obvious combinations of images, materials, signs, texts or objects. It is mixing styles and conventions, appropriation, manipulating quotes, remixes, creating artistic hybrids.
The air is something that can not be seen, but without it we can not exist. Sometimes it is smooth and shiny like a glass Sometimes dense and sticky Sometimes wrinkled runs up And sometimes it is unbearable Sometimes it takes our breath away Sometimes it lets you breathe freely I’m holding on to that (…)
„In the artistic activity of Marta Zgierska, materiality is triggered at the level of the creative process, the creation of the imprint or trace of the face in matter, and then at the level of the effect of this process – photography with a distinct substantiality. A pattern of life and life itself is revealed (…)
The exhibition of Monika Chlebek and Dawid Czycz is their second joint exhibition of the same title. The first one took place in Dresden in 2016. The joint venture turned out to be an active area of exploration and it became a creative challenge they would like to continue in a much wider form in (…)
At the exhibition, we are presenting the works by 47 Polish illustrators from the major press publications, including a quarterly for children. Involved… is an extensive exhibition project, the first edition of which took place at the Design Institute in Kielce in 2017.
I came up with the idea of preparing the title cycle of photography after the ineffective removal of permanent make-up, when in the future I had a few days alone at home. The situation was quite pathetic, and I wanted to keep tenderness and a sense of dignity in these pictures. I did not try to criminalize them, I just get used to them. What happens when I show what I wanted to hide?
Jakub Gliński (born in 1985) – a painter, audiovisual artist, experimental musician and performer. His paintings are in opposition to academic painting. He focuses on the very process of creation, which is based on an intuitive or even subconscious action and expressive gesture. In his objects he uses the aesthetics of “trash and error”. He (…)
